Not surprisingly, the “pop star” with the neo-Nazi problem from my previous post (go back and read it, if you’re interested) was Morrissey.
He’s been dogged by racism accusations since 1986. There was nothing in it. The music press just wanted to give him a kicking and he responded by ignoring them and moving to America. There was a thaw between 2004 and 2007. Then it was back to getting a kicking – only this time he had Slime – a real neo-Nazi – fanning the flames on Twitter and using the fall out to trauma bond with his crew.
Neo-Nazis are the child-catchers of politics. What they want to do is so repulsive that they have to lure people in with emotive issues. They bombard their followers with atrocity propaganda and latch on to any movement or party that might get them a whiff of power. Then the prison wagon door slams shut, they drop the candy and colourful decorations, and you’re in a dungeon hoping a flying car will come to the rescue.
I might have annoyed the Slime-ites by going public and making it look as if they’d lost their influence – or the new record deal made putting neo-Nazi videos on Central less of a career threat – I don’t know. But anyway, after the English council elections, a poster on Morrissey Solo, who I will call, Fash, randomly asserted that Morrissey supported Restore, in a tone that usually suggests Central is about to post something horrific. Later he threw back to the ‘scamdemic’, a subject he’s had no interest in for years, probably because one of the Crew is an anti-vaxxer and Restore – in a typical child-catcher move – is promising vindication.
A few days ago, Morrissey Solo posted a video of a Restore activist, Frank Wright, discussing Morrissey’s song, ‘Nobody Loves Us’, and it looked as if that would be the video that would go on Central.
It wasn’t.
Central decided to post the first in a series of videos for a Traditional Catholic YouTube site where Frank Wright, mimicking Adam Curtis, explains neo-Nazi ideology while pretending to expose liberal propaganda. It’s called ‘The Elephant in the Room’ and the elephant is Jews. Gently bobbing beneath a sea of waffle is all the usual antisemitic tropes: control the media, start wars, cause race mixing, turn your kids gay. Frank wants to end liberal democracy and replace it with a Whites-Only, National Socialist, Traditional Catholic, British Hobbit Shire.
The kind of place that would immediately send Morrissey to a concentration camp.
I’m going to cut Morrissey some slack and assume he’s so divorced from reality that he thinks white children are being genocided by woke and he’s not fully worked out the implications of deporting, exiling and executing anyone who disagrees with that premise. Neo-Nazis don’t want equal rights, they want to segregate, subjugate or eliminate “lesser races”. “Their women and children” are possessions, not people, forced to trade freedom for contingent protection.
But it doesn’t really matter what he thinks he’s doing. Frank Wright is an activist working to get Restore elected. Central is actively promoting someone who wants to impose a totalitarian state dressed up as a British theme park.
It’s not difficult to find out how bigoted Frank is. He reposts other neo-nazis who at least have the decency not to lie about it:
and he gives helpful hints for a race war:
Making it clear that the intention is to get elected and then use violence to crush any resistance.
The chances of these wannabe stormtroppers being kind to women, children and animals is close to zero. They’d tank the economy, turn the country into a war zone and would probably sell us to Putin for magic bitcoins.
It’s sad to see Morrissey poison his legacy for a racist fantasy.
Getting egged on by people with no talent to waste.
With no end in sight.
Kay Marquis 